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Brasschaat wordt door velen geïdentificeerd met riante villawijken. De basis daarvoor is in de jaren dertig van vorige eeuw gelegd. Veel minder bekend is de modernistische architectuur die in de periode tussen de twee wereldoorlogen ook aan de groene rand van Antwerpen haar sporen naliet. Eenvoudige bungalows, vaak als buitenverblijf gebruikte, ruime tweewoonsten, meer dan comfortabele landhuizen maar ook een rustoord voor zwakke stadskinderen en een sanatorium van het socialistische ziekenfonds zijn getuigen van een boeiende periode. Bekende namen als Léon Stynen, Eduard Van Steenbergen en Walter Van den Broeck, minder bekende architecten als vader en zoon de Nijs, wat vergeten plaatselijke vernieuwers als Edward Van Ballaer en vele anderen waren exponenten van hun tijd en hebben achter hun tekentafel mee het beeld van Brasschaat bepaald.

Dankzij de eerste publicatie van dit boek kwamen deze realisaties vijftien jaar geleden opnieuw in de belangstelling. Dit leidde voor drie woningen tot de bescherming als monument. Eén daarvan is intussen vakkundig en volledig gerestaureerd. Andere woningen zijn echter intussen onherkenbaar verminkt of volledig verdwenen. De heruitgave wil opnieuw aandacht vragen voor het modern bouwen in het Brasschaat van het interbellum. Deze publicatie geeft nieuwe inzichten die steunen op recente publicaties en op bijkomend archiefonderzoek. Het boek biedt een overzicht van dertig gebouwen in hun historisch kader en bevat veel ontwerpen en foto's.

architectuur --- dwellings --- Private houses --- woningen --- architecture [discipline] --- anno 1930-1939 --- anno 1920-1929 --- Brasschaat --- Modernist --- Architecture --- Steenbergen, van, Edward [sr.] --- Broeck, van den, Walter --- Stijnen, Leon --- anno 1900-1999 --- anno 2000-2099 --- Belgium --- Antwerp --- Functionalism (Architecture) --- Architecture, Domestic --- Fonctionnalisme (Architecture) --- Architecture domestique --- Brasschaat (Belgium) --- Brasschaat (Belgique) --- Buildings, structures, etc. --- Constructions --- Architecture, Modern --- Architecture [Domestic ] --- History --- 20th century --- Woonhuizen --- architectuur [vakgebied] --- Modern [style or period]

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Music --- Musique --- History and criticism --- Histoire et critique --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- -History and criticism --- Germany --- 1918-1933 --- 78.28.1 --- 78.21.2 Weimar --- Music - Germany - 20th century - History and criticism --- politieke geschiedenis --- muziekgeschiedenis --- anno 1920-1929 --- anno 1930-1939 --- Weimar

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"Présentation de deux groupes artistiques belges de l'entre-deux-guerres, de leurs divergences et de leurs points de convergence. Au nord du pays, Laethem est le berceau des symbolistes et des expressionnistes flamands. Au sud, le groupe hennuyer Nervia comprend les peintres Anto Carte ou Louis Buisseret. Exhibition: Museé d'Ixelles, Ixelles, France (22.10.2015-17.01.2016)."

Painting --- Art styles --- Expressionist [style] --- artists' colonies --- anno 1910-1919 --- anno 1900-1909 --- anno 1920-1929 --- anno 1930-1939 --- Sint-Martens-Latem --- Wallonia --- Sint-Martens-Latem (Group of artists) --- Artists --- Art, Belgian --- Sint-Martens-Latem (Groupe d'artistes) --- Artistes --- Art belge --- Exhibitions. --- History --- Exhibitions --- Expositions --- Histoire --- Nervia (1928-1936) --- interbellum --- academisme --- Eeckman, Léon --- 20ste eeuw --- België --- Henegouwen (provincie) --- 20th century --- Belgium --- Groupe Nervia --- Nervia (1928-1936). --- interbellum. --- academisme. --- Eeckman, Léon. --- 20ste eeuw. --- België. --- Sint-Martens-Latem. --- Henegouwen (provincie). --- Latemse school

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«My generation is guilty through and through : no justification is possible. At most there may be extenuating circumstances… Fascism — Dallapiccola claimed — had used a new weapon… a weapon much mightier than the magnetic mines: in comparison, even the atomic bomb begins to look trifling. The weapon I refer to is much more subtle and underhand. It took years to realize this and to discover its secret. The first to use it systematically and on a vast scale in the West was Benito Mussolini. This weapon is called Propaganda. With it and with the stifling of the press, its first derivative, a lie can be turned into truth.» [‘Prime composizioni corali. Postscriptum’, 29 January 1962.]

Music --- muziekgeschiedenis --- anno 1940-1949 --- anno 1930-1939 --- Italy --- Composers --- Fascism and music --- National socialism and music --- Musique --- Compositeurs --- Fascisme et musique --- Nazisme et musique --- History and criticism. --- Attitudes --- Histoire et critique --- Fascism and motion pictures --- History and criticism --- Dallapiccola, Luigi, --- Dallapiccola, Luigi --- 20th century --- Politics and government --- 1922-1945 --- Music and state --- Music - Italy - 20th century - History and criticism --- Fascism and motion pictures - Italy. --- Composers - Italy --- Dallapiccola, Luigi, - 1904-1975 --- Italiaans --- Fascisme --- Italië --- 20e eeuw

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Ideological heterogeneity in mass plays in Flanders and the Netherlands In many European countries mass theatre was a widespread expression of ?community art? which became increasingly popular shortly before the First World War. From Max Reinhardt?s lavish open-air spectacles to socialist workers? Laienspiel (lay theatre), theatre visionaries focused on ever larger groups for entertainment as well as political agitation. Despite wide research on the Soviet and German cases, examples from the Low Countries have hardly been examined. However, mass plays in Flanders and the Netherlands had a distinctive character, displaying an ideological heterogeneity not seen elsewhere. Mass Theatre in Interwar Europe studies this peculiar phenomenon of the Low Countries in its European context and sheds light on the broader framework of mass movements in the inter-war period.

Theatrical science --- anno 1930-1939 --- anno 1920-1929 --- Netherlands --- Flanders --- Dutch drama --- Flemish drama --- Community theater --- Théâtre néerlandais --- Théâtre flamand --- Théâtre communautaire --- History and criticism --- Histoire et critique --- massaspektakels --- Vlaanderen --- Nederland --- Théâtre --- Academic collection --- 839.3-2 "19" --- C3 --- toneel --- interbellum (x) --- Nederlandse literatuur: toneel; drama--20e eeuw. Periode 1900-1999 --- Kunst en cultuur --- 839.3-2 "19" Nederlandse literatuur: toneel; drama--20e eeuw. Periode 1900-1999 --- Théâtre néerlandais --- Théâtre flamand --- Théâtre communautaire --- Mass theatre --- Europe --- 20th century --- Histoire et critique. --- Théâtre --- anno 1900-1999 --- 21e eeuw --- Theaterwetenschappen --- Vlaanderen. --- Nederland.